Charles Mingus - possibly one of the greatest jazz composers of all time. Utilizing the ambitious free jazz style of Ornette Coleman, a hot and soulful feel of hard bop and blues, influences of black gospel music, and even some influences from classical music (namely in his later works), Mingus combines these elements in a phenomenal way. Not only are his bass skills fantastic, but his organizational genius similar to that of Duke Ellington is unmistakable. When you hear Mingus, you know it's Mingus. Blues & Roots was one of his first works in which he began experimenting with avant-garde/free jazz, which he carried on to his more well known album Minus Ah Um and, as he gathered numerous other styles and influences, into his later works. With the inclusion of 4 saxophonists, 2 trombonists, and 2 pianists, along with Mingus himself on bass plus a drummer, Mingus is able to utilize all of these and organize them into one of the most loose - yet at the same time tight and structured - jazz works of all time.
Genres: Avant-garde jazz, post-bop, blues, free jazz
- "Wednesday Night Prayer Meeting" - 5:43
- "Cryin' Blues" - 5:02
- "Moanin'" - 8:02
- "Tensions" - 6:31
- "My Jelly Roll Soul" - 6:50
- "E's Flat Ah's Flat Too" - 6:42